Very briefly as background, Henry Kissinger made a deal with the Middle East some decades ago that we would make them wealthy beyond their expectations by buying their oil. In return, they were to take a portion of their income from oil sales and buy our debt by purchasing Treasury securities, T-Bills, etc..
We would then produce but a pittance of oil in this country although we have literally enough oil in this country to last us 200+years. Now the elite are going to double cross the Middle East and OPEC.
The current crisis was initiated by the CIA using paid agitators in Egypt. The crisis will spread to the ENTIRE Middle East. Although they did not initiate current events, the Muslim Brotherhood is being supported by the elite in the crisis areas in the aftermath. Once Iran and Saudi Arabia fall, oil will soar.
Yack at y'all later.
Monday, February 28, 2011
Bubba Says . . .
Friday, February 25, 2011
Thursday, February 24, 2011
Wednesday, February 23, 2011
Bill Reid Hollywood Producer
To: Bill Reid -- bigbigred@aol.com
From: Jack Nicholson -- unclejack@sbcglobal.net
Sent: 2/22/2011 1:47 AM
I just got your email and wanted to make sure you made your flight to Turkey. K? Well? Huh?
To: Jim Jarmusch -- crazeejimmyjoe@roadrunner.net
cc: Barbra Streisand -- GiantFrigginStar@msn.com, Jack Nicholson -- unclejack@sbcglobal.net, Kool Marder -- toocoolforfools@aol.com, Roman Polanski -- shortnsexy@aol.com
From: Bill Reid -- bigbigred@aol.com
2/22/2011 3:12 AM
Well, I made it on time. I was picked up at the airport in a very nice Range Rover with flowers and a camera man on board. The hotel is very nice! It looks like I will be having a small entourage follow me around for the filming.
To: Bill Reid -- bigbigred@aol.com
From: Roman Polanski -- shortnsexy@aol.com
Sent: 2/22/2011 3:15 AM
What's the little chick-a-dee situation there in Istanbul? I mean, is it worth it?
To: Bill Red -- bigbigred@aol.com
From: Jack Nicholson -- unclejack@sbcglobal.net
Sent: 2/22/2011 3:18 AM
Get to the part about the oily brick of hash in the fruit basket. K? Well? Huh?
Tuesday, February 22, 2011
Monday, February 21, 2011
If, Part II
If your doctor is not prescribing Ambien CR for you this could be you on any given evening.
If you live in a vibrant urban area.
Friday, February 18, 2011
Thursday, February 17, 2011
Wednesday, February 16, 2011
And Now
Tuesday, February 15, 2011
Is A Place
Monday, February 14, 2011
Friday, February 11, 2011
Kevin At The Getty
Dear Kevin At The Getty,
Can we change our astrological sign if we are so inclined?
Pisces In Peoria
Nope. You're a Pisces and that's that. If you should try and change that, a Porsche dealership somewhere will go out of business - maybe in Palm Beach or Westport!
Kevin At The Getty
Thursday, February 10, 2011
Singing Bell Ranch
The Singing Bell Ranch was founded by Earl and Lillian Nichols in 1952 and was originally a purebred Hereford cattle ranch.
Wednesday, February 9, 2011
Tuesday, February 8, 2011
Monday, February 7, 2011
Friday, February 4, 2011
Bettina Gilois
Devo on the red carpet.
January 11, 2011.
Los Angeles, California
Nikon D60
Nikon D3000
Nikkor 18-55 f/3.5-5.6
Sigma 70-300 f/4-5.6
Nikkor 50mm f/1.8
Thursday, February 3, 2011
Wednesday, February 2, 2011
Ahem
19 degrees
2 - 3 inches of ice
500 flights cancelled at DFW International Airport
15 18-wheelers jack-knifed on the I35-South
Tuesday, February 1, 2011
Wild Tigers I Have Known
HD VIDEO, COLOUR, DOLBY DIGITAL, 88 MINUTES, USA, ENGLISH / DIRECTOR/SCRIPT/EDITOR: CAM ARCHER / CINEMATOGRAPHER: AARON PLATT / PRODUCTION CO: CUT AND PASTE FILMS / PRINT SOURCE/RIGHTS: CAM ARCHER, 2007
Wild Tigers I Have Known enters the fragmented inner world of Logan (Malcolm Stumpf), an androgynous adolescent who daydreams and fantasises over high school wrestler Rodeo (Patrick White). Logan clumsily experiments with cross-dressing, inventing a female persona to make erotic phone calls to an unsuspecting Rodeo. While Logan struggles with his desires, mountain lions stray close to his school, ellicting a form of outsider-identification and becoming a metaphor for the untamed sexual impulses gripping him. Cam Archer's striking first feature was developed through the Sundance Screenwriter's Lab and shot on HD digital video by Aaron Platt, signalling a bold new era of independent queer filmmaking.